Showing posts with label culture. Show all posts
Showing posts with label culture. Show all posts

Friday, September 14, 2012

I want to eat with the common people

I saw this interesting article by Ashley Miller posted on Facebook: The food of my childhood, the food of Southern poor white trash. At the end of the article, the author gives a list of foods that are considered lower class. And many of them sound yummy, though I have no idea what some of them are.

It's sad but true that what you eat is often construed as a class marker, as much as what you wear. Posh people eat caviar, poor people eat chips (allegedly).

Remember when Edwina Currie was rude about working-class eating habits?

However, I think we should celebrate regional food, and food that is considered "lower-class". It's often fun, cheap to eat, quick to make, and comforting.

Here are a few delicacies that are probably considered "not quite the thing" but are wonderful.
  • Chip butties
  • Crisp sandwiches
  • Black pudding (why hasn't someone invented a vegetarian version of black pudding?)
  • Mushy peas
And then there are the "posh" foods that are also yummy, like olive tapenade. Now there's a thought, how about olive tapenade on chips?

Ooh and does anyone else roll white bread into balls of dough?

Please add more examples in the comments and say where they are from.

Sunday, December 28, 2008

the old woman and the antlered man

Medieval literature contains copious reference to a custom on New Year's Day, in obedience to which men disguised in deerskins or as old women took part in riotous dances and processions. Though the performers were Christians, the rite was clearly borrowed from heathendom.... It was called cervulos facere, and incurred the bitterest hostility from official quarters in the Early Church. From the fourth to the eleventh century bishops and saints in Gaul, Germany, Spain, and Italy denounced it in monotonous unison from cathedral and pulpit ; it was even definitively banned by the Council of Auxerre at the end of the sixth century, though without effect. In England its observation was less general, or else ecclesiastical tutelage was more indulgent, for the fulminations are much scarcer. Yet it existed, and was proscribed anew under the Christian kingdom of the Anglo-Saxons by the Liber Poenitentialis of Theodore, Archbishop of Canterbury from 669-670 and a celebrated disciplinarian. The book, which may be in part later than Theodore, yet exercised a great influence from the eighth to the twelfth centuries, prescribed three years' penance for the sin:-

" Si quis in Calendis Januariis in cervulo aut vetula vadit, id est, in ferarum habitus se tommutant et vestiuntur pellibus pecudum et assurnit capita bestiarum ; qui vero taliter in ferinas species se transformat, III annos poeniteat, quia hoc demoniacum est." Lib. Poen, Thorpe, xxvii, 25.

The original significance of the custom it is hardly the purpose of the present note to examine. De Gubernatis (Zoology and Mythology, p. 88) explains the old woman, the second form of disguise, as representing a sort of winter-witch. It is worth observing that St. Augustine also mentions a third disguise, viz., as a goat :-
"indui ferino habitu et capreac aut cervo similem fieri," (Op. Migne, vol. v, col. 2003, ad Cal. Jan.).

"The Running of the Deer"
Richard D. Barnett
Folklore, Vol. 40, No. 4. (Dec. 31, 1929), pp. 393-394.

Tuesday, August 26, 2008

deep and Crisp and even

More exciting news from the world of Crisp - they're making a sequel, An Englishman in New York, which was the title of the second part of Quentin Crisp's memoirs; though I can't hear that phrase without humming the Sting song inspired by it.

Alas and alack

John Coulthart's excellent blog and website have disappeared - temporarily I hope. Oddly though, the RSS feed still seems to be working. I hope this is not a case of ISPs getting prissy and prudish. All URLs under the www.johncoulthart.com domain currently redirect to http://esc01.midphase.com/suspended.page/

Bring it back, bring it back
Don't take it away from me
Because you don't know
What it means to me...

Sunday, July 27, 2008

the art of suicide

It has always amazed me that some art apparently has the power to suggest suicide to people. Goethe's novella Die Leiden des Jungen Werthers apparently caused many suicides among German youth, who dressed themselves in the style of the hero and even had the same book beside them when they committed suicide.

Similarly, the Hungarian song Szomorú vasárnap (Gloomy Sunday) apparently has the power to suggest suicide to those who listen to it, according to Curious Expeditions:
Hauntingly beautiful, the story goes that the song was so sad, so depressing, so completely soul crushing, that upon hearing it even once, Hungarians were driven to suicide. And not just a few, during its era, hundreds of suicides were attributed to the melody.
Billie Holliday also recorded a version, which is certainly very sad and gloomy (but then so are most of her songs).

Then of course there are all the novels about suicide: The Virgin Suicides by Jeffrey Eugenides; A Long Way Down by Nick Hornby; Suicide Wall by Alexander Paul.

Chris Power in The Guardian blog further explores the theme of literary suicide. Both Schopenhauer and Donne defended it, and Plutarch considered Cato the Younger's suicide a noble death. The Romantics lauded the death of Chatterton as 'the apotheosis of artistic sensibility'.

There is also a tradition in Japan of writing haiku before committing suicide (and also before a natural death):
In a full ceremonial seppuku (Japanese ritual suicide) one of the elements of the ritual is the writing of a death poem. The poem is written in the tanka style (five units long which are usually composed of five, seven, five, seven, and seven syllables). Asano Naganori, the daimyo whose suicide the forty-seven ronin avenged, wrote a death poem in which commentators see the immaturity and lack of character that led to him being ordered to commit seppuku in the first place.
Oddly, different countries have different suicide rates, which remain fairly constant, perhaps because of varying cultural attitudes to suicide. Hungary is number 5 on the list.

Goths are also fascinated with death and gloom, as this song by Emilie Autumn, The Art of Suicide, illustrates. They also love death in general; Chas Clifton recently spotted a Gothic Book of the Dead, which offers advice on:
Meditating on gravestone sculptures, creating a necromantic medicine bag, keeping a personal book of the dead, and other exercises will help you explore the vital, transformative forces of death.
Chas declares himself no longer entranced by death, having experienced too much of it lately. I agree - life is too full of joy and complexity and love - but it's a curious pleasure to wallow in melancholy sometimes.
She dwells with Beauty—Beauty that must die;
And Joy, whose hand is ever at his lips
Bidding adieu; and aching Pleasure nigh,
Turning to poison while the bee-mouth sips:
Ay, in the very temple of Delight
Veil’d Melancholy has her sovran shrine,
Though seen of none save him whose strenuous tongue
Can burst Joy’s grape against his palate fine;
His soul shall taste the sadness of her might,
And be among her cloudy trophies hung.
... as Keats so eloquently expressed it in his Ode on Melancholy.

Suicide is always a tragedy, and leaves heartbreak in its wake. But its cultural aspects are very interesting.

Friday, July 18, 2008

fandom

The other day I mentioned to a writer at a "do" that I had enjoyed his book. "Aha!" he cried. "A fan." Now, call me an intellectual snob, but I don't really see myself as a "fan" of anything. A connoisseuse maybe, someone who appreciates, but not a fan. Fans are people with an obsession; people who go to conventions and talk about absurdly unimportant details of TV and movies while studiously avoiding talking about the real history, science or philosophy on which they are based. So no, I am not a fan. At least not in that sense.

I do, however, deeply appreciate many writers, artists, and musicians for their work, and I think there needs to be a word to describe that. Unfortunately many of the words which one might have used are actually pejorative terms like amateur (literally a lover) and dilettante (originally not pejorative). To describe oneself as a connoisseur seems unduly to claim extensive knowledge about it. So we need a word that means someone who appreciates something.

Thursday, July 17, 2008

a science not an ideology

Three articles about Darwin by Olivia Judson in the New Yorker:
  • June 17: Darwinmania! Darwin got all the glory, but did he deserve it?
  • July 8: An Original Confession Many scientists admit that they’ve never read Darwin’s Origin of Species. What are they missing?
  • July 15: Let’s Get Rid of Darwinism Darwin lives on, and should, but for the sake of evolutionary studies the term “Darwinism” should be retired.
In the last article, Olivia Judson says that evolutionary biology should not be referred to as Darwinism because it makes it sound as if the science began and ended with Darwin, and as if it has not developed since Darwin. One commenter on the article also pointed out that it ignores the contribution of Alfred Russell Wallace. GeneXs at Witches and Scientists observed that the term 'Darwinism' is also "used nearly as a curse by Creationists, Young-earth Fundamentalists, and Dominionists". To my mind, calling a science an "-ism" makes it sound like a political ideology instead of a science. We don't call the physics of gravity "Newtonism" (though people do refer to Newtonian physics, I suppose). Of course Dawkins' new atheism is an ideology, and social Darwinism was an ideology (and a particularly unpleasant one at that), but evolutionary biology is a science, not an ideology, and therefore shouldn't be labelled as an -ism.

Thursday, December 20, 2007

surreal

In a move worthy of a Jeunet & di Caro film, a cultural "guerrilla" group has restored the clock of the Panthéon in Paris. They are called UnterGunther.
For a year from September 2005, under the nose of the Panthéon's unsuspecting security officials, a group of intrepid "illegal restorers" set up a secret workshop and lounge in a cavity under the building's famous dome. Under the supervision of group member Jean-Baptiste Viot, a professional clockmaker, they pieced apart and repaired the antique clock that had been left to rust in the building since the 1960s. Only when their clandestine revamp of the elaborate timepiece had been completed did they reveal themselves.
That is awesome - not only did they sneak into the building under the noses of the curators, but they restored the clock and built themselves a small living room, which is rather chic. They were recently cleared by the Paris Court of Justice of breaking any laws.

» More photos at greg.org (he compares it to an Umberto Eco novel)
» Interview with Lazar Kunstmann, a member of UnterGunther