Friday, July 18, 2008

hidden talents

The BBC has just discovered an archive of recordings made by Delia Derbyshire, the woman who composed the classic Doctor Who theme music (but the credit was taken by someone else).

They are amazing, and well ahead of their time.

Paul Hartnoll, formerly of the dance group Orbital and a great admirer of Ms Derbyshire's work, said the track was, "quite amazing".

"That could be coming out next week on [left-field dance label] Warp Records," he noted.

This story seems reminiscent of numerous instances where someone discovered or created something that was then credited to someone else.

Thursday, July 17, 2008

a science not an ideology

Three articles about Darwin by Olivia Judson in the New Yorker:
  • June 17: Darwinmania! Darwin got all the glory, but did he deserve it?
  • July 8: An Original Confession Many scientists admit that they’ve never read Darwin’s Origin of Species. What are they missing?
  • July 15: Let’s Get Rid of Darwinism Darwin lives on, and should, but for the sake of evolutionary studies the term “Darwinism” should be retired.
In the last article, Olivia Judson says that evolutionary biology should not be referred to as Darwinism because it makes it sound as if the science began and ended with Darwin, and as if it has not developed since Darwin. One commenter on the article also pointed out that it ignores the contribution of Alfred Russell Wallace. GeneXs at Witches and Scientists observed that the term 'Darwinism' is also "used nearly as a curse by Creationists, Young-earth Fundamentalists, and Dominionists". To my mind, calling a science an "-ism" makes it sound like a political ideology instead of a science. We don't call the physics of gravity "Newtonism" (though people do refer to Newtonian physics, I suppose). Of course Dawkins' new atheism is an ideology, and social Darwinism was an ideology (and a particularly unpleasant one at that), but evolutionary biology is a science, not an ideology, and therefore shouldn't be labelled as an -ism.

Tuesday, July 15, 2008

memories of Cambridge

As Bo is moving to Cambridge, it brought back memories...

Cambridge is in many ways a strangely schizoid place. It is divided between town and gown - there's even a pub name commemorating this deep divide. The university was founded in the 14th century after some academics fled from Oxford after the people of Oxford rioted in protest against the oppressive behaviour of that university. Accordingly, the Cambridge colleges appear to have been built to withstand a siege; they have ditches and banks and cast-iron fences. They also own most of the river bank between Midsummer Common and Silver Street, and only members of the college can sit upon the hallowed lawns. That said, most of the colleges do let local residents into the tourist bits for free, which is nice. But the university once had enormous power. In the nineteenth century, an unaccompanied woman walking around at night could be arrested by the university proctors for soliciting.

I love the hidden corners of Cambridge, the architectural surprises. If you look up and in side streets, there are often quirky features of buildings - the gateway of Gonville and Caius college for example. There's also the splendid lamp-post in the middle of Parker's Piece, which traditionally has "REALITY CHECKPOINT" graffitied onto it. Last time I went, it was still there. Another architectural oddity is the Round Church, originally a Templar church; it has Romanesque architecture, but it's round. The Templars also had a cave in Royston - a bell-pit carved into the chalk which was rediscovered in the eighteenth century.

Then there's the stories that accumulate. Apparently Aleister Crowley was so smelly that his fellow students forced him to take a shower in the fountain of Trinity College; and Byron was so mad that he took showers there voluntarily. There's also a pool on the river Granta called Byron's Pool where he is supposed to have swum regularly. A popular Cambridge urban myth used to be the story that some students substituted a polystyrene ball for one of the stone balls on a bridge over the river Cam, and proceeded to push it off as a punt-load of other students was going underneath, causing them all to jump into the river. Another myth tells that one student dressed as a porter and another student walked across the lawn, complete with a sachet of fake blood under his shirt, and then the one dressed as a porter pulled out a fake gun and "shot" him, much to the consternation of a passing group of American tourists. Another story (untrue, alas) tells that Isaac Newton built the Mathematical Bridge without any bolts - it was just held together by geometry - and the other dons took it apart to see how he'd done it; but then they couldn't put it back together again without using nuts and bolts.

There are many literary associations in and around Cambridge. A E Housman was at Trinity. Rupert Brooke and Rose Macaulay used to hang out on Grantchester Meadows with their fellow "Neo-Pagans". Of course Brooke's poem about Grantchester is well-known (though its comic aspects are often forgotten), but he got the time wrong - the church clock was not stuck at ten to three, it was actually quarter to eight (but they moved the hands after he became famous for being a far-flung outpost of England in a foreign field). Aleister Crowley went to school in Bateman Street (but cursed anyone who looked upon the place; I'm doomed then, as I used to live two doors down from it) and later lived at 12 Portugal Place.

Grantchester Meadows are idyllic, and a great place for walks. I once went there to do a solo Midsummer ritual, and there was a party of hippies there playing the violin (rather well, I might add); quite magical.

Cambridge is also home to two fabulous museums: the Museum of Archaeology and Anthropology (like the Pitt-Rivers but bigger), and the Fitzwilliam Museum (which is like a mini-British Museum). I have spent many happy times there. The Fitzwilliam has a massive collection of Blake engravings which I never got to see; but I did see an exhibition of Hokusai there, and also paintings of Antarctica and volcanoes and stars by a wonderful artist whose name I forget. Another great place to visit is the Botanical Gardens; these used to be free of charge one day a week. They have enormous drifts of snowdrops and daffodils in spring, and a lovely grove of birch trees, and a brilliant winter garden with plants that have vivid colours in winter, like the beautiful Chinese rainbow birch.

Oddly two of the parks are named after Pagan festivals: Midsummer Common (where Strawberry Fair is held) and Lammas Land.

The pubs are quite characterful - I used to work in the Cambridge Blue (you had to have a degree to work there), and became good friends with the other bar staff, including Ruth Bagnall (sadly no longer with us) and Jane W, who then went on to work in the Boat Race as a music promoter. I tended to go in the pubs around Mill Road, but there are other good ones in the town centre. There's also a brilliant vegetarian place just up the road from King's College called the Rainbow Café. I sometimes went to the Tap and Spile, and once was playfully pushed into the river by a former Pink Floyd roadie while I was holding a pint of bitter. If I hadn't been holding a pint, I would only have gone in up to my ankles, but since I was trying to balance the pint I ended up sitting in the water (didn't spill a drop of the pint though). So I went for a quick swim in the river, and then climbed out and gave the said roadie a big wet hug, so he was almost as wet as me.

Bookshops are plentiful, as you might expect. The Libra-Aries bookshop on Mill Road is the Pagan and alternative bookshop. It wasn't there when I lived in Cambridge but we met the owners at a Pagan event a couple of years ago; they are lovely and very knowledgeable. In my day, the Pagan bookshop was the Ninth Wave (named after the Kate Bush song). In the centre of town, there's Heffers and the Cambridge University Press bookshop.

Some of the college chapels are wonderful - I went to a Tallis concert in Trinity chapel once, and the acoustic was amazing and made the music pour down the walls and float into your ears like a pale blue crystalline mist. Trinity chapel also has a Baroque interior and a black-and-white tiled floor. The atmosphere in the chapel of "Porterhouse" is so thick you could cut it with a knife.

I loved Cambridge, but it wasn't a good place for jobs unless you were a Cambridge graduate - that's why the landlord of the Cambridge Blue could stipulate that bar staff must have a degree. I applied for a PhD once, but the interviewer spent most of the interview staring at the ceiling, except when I told him I read French and German. I didn't get in. It could be frustrating sometimes, being on the outside of a hive of intellectual activity, unable to participate. However, I did write my first two books while living in Cambridge, got involved in Wicca there, and had a relationship with a wonderful bloke with whom I moved to Scotland in 1994. We split up eventually (in part because he didn't get Paganism) but I wish him well.

Friday, July 04, 2008

care of your geek

There are numerous guides available to living with a geek; there's even a book.
Most of these guides are written as if the geek in question is male; however there is some awareness of female geeks, particularly in the book.

If you think you may be a geek, there's a diagnostic tool available from just say hi, and a more comprehensive one available from innergeek (but slightly biased towards a US audience). My latest geek score from innergeek is 37.08087% (major geek); JustSayHi rates me as 72% geeky.

Because we all know that the geek shall inherit the earth.

Thursday, July 03, 2008

Monsieur Tête de Pomme de Terre


A new toy has appeared on teh interwebs: Mr Picassohead. It's basically Mr Potatohead for the art appreciation fraternity. You can use it to produce Picasso-esque drawings. Here's mine.

Have a browse through the gallery, too - there are some amazing pictures in there.

Via {feuilleton}

Wednesday, July 02, 2008

new poetry blog

I have created a blog just for my poetry, so you don't have to search for it on my website and my various blogs. It's called Le Beau Ténébreux.

Le Beau TénébreuxThis is the place where I will post my new poetry (and some of my old poetry when I get time). Le Beau Ténébreux is the nickname of the main character in the book What's Bred in the Bone, part of the Cornish Trilogy by Robertson Davies. It seemed like an apt description for my muse, who usually appears as a dark man with an air of mystery (and no, he does not bring me chocolates).

poetic technique

If I hear one more person saying "I only like poetry that rhymes", I swear I will scream. There is so much more to poetic technique than mere rhyme.

So, in an effort to educate, entertain, and inform, I present the beginner's guide to poetry:
  • Assonance is repetition of vowel sounds to create internal rhyming within phrases or sentences, for example:
    That solitude which suits abstruser musings - Samuel Taylor Coleridge
  • Alliteration is the repetition of the first consonant sound in a phrase; it was very popular in Anglo-Saxon and Germanic poetry. For example:
    He aerest sceop aelda bearnum
    Heofon to hrofe Halig Scyppend

    ~ Caedmon's Hymn
  • A caesura is an audible pause or break in a line of poetry (used in Greek, Latin, French, Old English and Middle English poetry), for example in the opening line of Beowulf:
    Hwæt! we Gar-Dena || on geardagum
  • Consonance is like assonance but involves the repetition of consonants instead of vowels, as in "zig-zag" or "pitter-patter".
  • Haiku is a Japanese form with 5-7-5 syllables, and includes a kireji (cutting word) and a kigo (season-related expression); in scifaiku the kigo is replaced by an SF-related concept.
  • Metaphor is language that directly compares seemingly unrelated subjects; for example:
    My love is like a red red rose. (Burns)
    Metaphors can be distinguished from other closely related rhetorical concepts such as metonym, synecdoche, simile, allegory and parable.
  • Then there's metre. At this point, we require a little assistance from a certain Mr Coleridge - take it away, Sam:
    Trochee trips from long to short;
    From long to long in solemn sort
    Slow Spondee stalks, strong foot!, yet ill able
    Ever to come up with Dactyl's trisyllable.
    Iambics march from short to long.
    With a leap and a bound the swift Anapests throng.
    One syllable long, with one short at each side,
    Amphibrachys hastes with a stately stride --
    First and last being long, middle short, Amphimacer
    Strikes his thundering hoofs like a proud high-bred Racer.

    If Derwent be innocent, steady, and wise,
    And delight in the things of earth, water, and skies;
    Tender warmth at his heart, with these meters to show it,
    WIth sound sense in his brains, may make Derwent a poet --
    May crown him with fame, and must win him the love
    Of his father on earth and his father above.
    My dear, dear child!
    Could you stand upon Skiddaw, you would not from its whole ridge
    See a man who so loves you as your fond S.T. Colerige.
    ˘ = short syllable,
    ¯ = long syllable
    (macron and breve notation)

    ˘ ˘ pyrrhus, dibrach
    ˘ ¯ iamb
    ¯ ˘ trochee, choree
    ¯ ¯ spondee

    ˘ ˘ ˘ tribrach
    ¯ ˘ ˘ dactyl
    ˘ ¯ ˘ amphibrach
    ˘ ˘ ¯ anapest, antidactylus
    ˘ ¯ ¯ bacchius
    ¯ ¯ ˘ antibacchius
    ¯ ˘ ¯ cretic, amphimacer
    ¯ ¯ ¯ molossus

    In French (and Baroque German), there is also the Alexandrine, a line of twelve syllables, usually with a caesura between the sixth and seventh syllables. Corneille and Racine used the Alexandrine a lot.
  • There are many poetic forms (types of poem with specific rhyme schemes and metres):
  • Rhyme is much more complex than you might think:
    • masculine: a rhyme in which the stress is on the final syllable of the words. (rhyme, sublime, crime)
    • feminine: a rhyme in which the stress is on the penultimate (second from last) syllable of the words. (picky, tricky, sticky, icky)
    • dactylic: a rhyme in which the stress is on the antepenultimate (third from last) syllable ('cacophonies", "Aristophanes")

    In the general sense, "rhyme" can refer to various kinds of phonetic similarity between words, and to the use of such similar-sounding words in organizing verse. Rhymes in this general sense are classified according to the degree and manner of the phonetic similarity:

    • syllabic: a rhyme in which the last syllable of each word sounds the same but does not necessarily contain vowels. (cleaver, silver, or pitter, patter)
    • imperfect: a rhyme between a stressed and an unstressed syllable. (wing, caring)
    • semirhyme: a rhyme with an extra syllable on one word. (bend, ending)
    • oblique (or slant): a rhyme with an imperfect match in sound. (green, fiend)
    • half rhyme (or sprung rhyme): matching final consonants. (bent, ant)
  • Rhyme schemes are also important; let us fly free from the tedious imprisonment of AABB and discover the joys of Chant royal, Clerihew, Sestina, Terza rima, and many more. Here's an example of the sonnet form: Wyatt's Farewell Love and all thy laws for ever.


All of which reminds me that I am only scratching the surface with my poetic technique; but at least I am aware of these things. You cannot break the rules of a craft or art without first knowing how to work within them.

Tuesday, July 01, 2008

Olafur Eliasson

The New York Times has some photos of Olafur Eliasson's work, in particular this one of his 2003 installation at the Tate Modern, which was awesome. The best thing about it was the mirrored ceiling, which meant that people could become part of the artwork by lying on the floor in strange formations, waving their arms and making star shapes with their friends. It was like some bizarre ritual, and very meditative. The best bit was that people didn't seem to mind doing all this in front of complete strangers, which just goes to show that the English are perhaps not as reserved as has been claimed.

You can see people making funny shapes in the photo on the right.

{feuilleton} has details of Eliasson's latest work, New York City Waterfalls (worth a look).

Friday, June 27, 2008

smooth as a [censored]

Baby's bottom in censorship row

Asda refused to print a baby's bum on a photo-cake for fear of pornographic connotations.

Mind you, I wouldn't want to eat the bit of icing with the baby's bottom on it...

Thursday, June 26, 2008

ancient tabloid frenzy

Western Paradise Gazette, 26th Ipip 6250

Queen Isis in single mother row
Isis
IT HAS BEEN exclusively revealed today that Isis, queen of the gods and throne of the heavens, brunette mother of one, is bringing up her child alone. The government of the Kingdom of the West is said to be in crisis, as this undermines their policy of tax breaks for married couples. Social services were considering taking Horus (5) into care.

A spokesbeing for the government said, "We are concerned about the absence of a positive male role model for the boy. His uncle Set is currently standing trial for murder, and Isis has been seen to be accompanied by Sekhmet, who is known to have had violent episodes, and Ishtar Kilili, who was last week arrested for soliciting."

Iduna was said to be reconsidering her policy of golden apples for all deities, citing the possible decline in the economy if golden apples were given to everyone regardless of their contribution to society. The share price of ambrosia has also declined sharply in response to this news; there was panic-buying of shares in Stork Transit, Inc.

Queen Isis, still in mourning for her dead husband Osiris (dismembered in a bizarre fertility ritual, allegedly by Set) declined to give an interview. Her lawyer, Thoth, read a prepared statement, saying only, "There's nothing magical about fathers."


Breaking news...

Wednesday, June 25, 2008

Snow Crash

I am currently reading Snow Crash by Neal Stephenson (written in 1992). In the first ten or so chapters, he managed to predict Second Life, World of Warcraft, Google Earth, and people being disillusioned with online social interactions because they are less real than face-to-face interactions. According to Wikipedia, one Google Earth co-founder claimed that Google Earth was modeled after Snow Crash, while another co-founder said it was inspired by Powers of Ten.

He also independently coined the use of the word 'avatar' for an online persona (although somebody was already using it in a virtual reality program called Habitat that he didn't know about when he was writing it). I am pretty impressed with this. Mind you, it says in the acknowledgements that he is a programmer himself and had read the Apple Macintosh user interface development guidelines, so I guess that gave him a head-start in predicting stuff. Of course the political situation in the book is different to current reality, but still entirely plausible.

If you haven't read Snow Crash, I highly recommend it. It makes William Gibson look like an amateur. It's also really well-written.

Friday, June 20, 2008

When psychics turn bad

This is a very scary story.

A woman has an autistic 11 year old daughter and cannot afford special care for her, so she takes her to a public school. The mother was recently called in to the school due to a horrific claim: her daughter was being abused. This claim was being told to her by the principal, the vice-principal, and the girl’s teacher, mind you, so the mother was rightly very upset.

The problem: this claim was being put forth by the teacher’s assistant… because a psychic told her.

» Read more (on Bad Astronomy blog)


It's very worrying that anyone would take "evidence" from a psychic without any other corroborating evidence. If the whole thing had been started off by the child having bruises, and then a psychic got involved, that might not be quite so bad, but it would still be bad. Shades of the Salem Witch Trials...

It also reminds me of the cunning folk of the 17th century who saved their own skins by denouncing old ladies as witches. Similar things have been going on in India recently, where a village wizard type person denounced a "witch", who was then horribly killed.

As a person who is both sceptical and open-minded, I would not entirely dismiss the possibility of precognition; however I am well aware that it is likely to be inaccurate, and (even if it does work) only to predict events extrapolated from the current state of affairs. So I would never ever use alleged precognition as the sole basis for a decision.

In Pagan circles (usually polytheists and reconstructionists) an experience that is purely personal and un-corroborated is known as a UPG (unverified personal gnosis), thus making a clear distinction between intuition and empirical evidence.

Also, if a Pagan has a vision or a weird experience, they will often be aware that it might have been just a hallucination or some random stuff from their subconscious, and yet still find the experience valuable in symbolic terms; yeah yeah, so it might have been a deity communicating with you, or it might have been your subconscious; but the content of the "message" is more important than the source - and if the "message" is telling you to do something bad, like denouncing people as child abusers with no evidence at all, then don't listen to the message. Simple really.

arts graduates

Dawkins is wrong, wrong, wrong. The enemy of science is not religion, it's arts graduates. (Well actually it's probably corporate greed, but today it's arts graduates.)

On the Today programme on Radio 4 this morning, there was an item about the acquisition of an important meteorite by the Natural History Museum. One of the presenters said they didn't know the difference between a comet and a meteor, and everyone else in the studio said that they didn't either. If they had said they didn't know the difference between a meteor and a meteorite, that would have been fair enough. Or even if they had been embarrassed about not knowing - but no, they were quite pleased with themselves!

I expect they would laugh at people who didn't know the difference between, say, Cézanne and Monet; but they seem to think it's fine not to understand a fairly basic piece of science. Nor is this a one-off incident; similar things have happened several times on the Today programme (like the time someone felt the need to point out that the Earth orbits the Sun).

It's simple really - a comet is a big ball of dirt and ice which has an elliptical orbit around the sun, which acquires a tail and a coma due to the ice melting as it gets closer to the sun; and a meteor is a shooting star (a small piece of space debris, often a fragment of asteroid) that has a decaying orbit and gets caught in the Earth's gravitational field and burns up on entry to the atmosphere.

Balador checked that the above was correct by going to a helpful NASA FAQ page, which has a neat little table:
Asteroid A relatively small, inactive, rocky body orbiting the Sun.
Comet A relatively small, at times active, object whose ices can vaporize in sunlight forming an atmosphere (coma) of dust and gas and, sometimes, a tail of dust and/or gas.
Meteoroid A small particle from a comet or asteroid orbiting the Sun.
Meteor The light phenomena which results when a meteoroid enters the Earth's atmosphere and vaporizes; a shooting star.
Meteorite A meteoroid that survives its passage through the Earth's atmosphere and lands upon the Earth's surface.